DOK Leipzig 28 October – 3 November 2019
62nd International Leipzig Festival for Documentary and Animated Film
DOK Leipzig Film Festival

Ceremony


Ceremony




CATALOGUE TEXT
What do 2017 Manchester and the Russian Revolution 100 years earlier have in common? Friedrich Engels. Before he wrote the Communist Manifesto with Karl Marx, the philosopher and entrepreneur had lived for a few years in the northern English industrial capital of the 19th century. Taking Engels’ communist theories as a starting point, the artist Phil Collins reflects on their topicality: What is the “condition of the working class in England” – the title of one of his main works – today? Wouldn’t Engels be more likely to write about the “working poor”? What are the differences between the past and present “tyranny of capital”, which still seems to have our societies, our life, thinking and actions firmly in its grip? Is that why communism has become a conceivable ideal again?

And Engels himself, too, gets to return to Manchester, in the shape of a statue whose transport from a Ukrainian village to its new home in the former industrial capital of the world the film follows – a many-layered socialist road movie from one of the outer edges of the EU to the (soon to be) other.

Frederik Lang

/

/

/
Credits
Original Title: Ceremony Country: UK, Germany, Ukraine Year: 2018 Language: English, German, Ukrainian Subtitle: English Runtime: 67 min. Format: DCP Color: Colour and B&W Director: Phil Collins Producer: Siniša Mitrović, Natasha Dack Ojumu Cinematographer: Neus Ollé-Soronellas, Joseph Briffa, Jonathan Stow, Alex Large, David Bewick, Pedro Labanca, Federico Funari, Phil Collins, Siniša Mitrović, Matthias Schellenberg Editor: David Charap, Andreas Dalström Music: Mica Levi, Demdike Stare, Gruff Rhys Sound: Jochen Jezussek Script: Phil Collins
Contacts


The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig 2019 catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.