DOK Leipzig 28 October – 3 November 2019
62nd International Leipzig Festival for Documentary and Animated Film
DOK Leipzig Film Festival

That Which Does Not Kill


That Which Does Not Kill




CATALOGUE TEXT
It’s well-established that the majority of sexualised violence doesn’t take place in the public sphere but in the seemingly protected realm of family, partnership and friends. This is also true of a young woman who was raped by a good friend on a private date. Her report was the occasion and basis of this film which interprets it first performatively, then analytically by women and men playing various roles.

In addition to the act itself, it addresses its consequences and how to deal with feelings of guilt, shame, paralysis and repression – but soon the performers’ own experiences as victims of perpetrators, too. In its directness and detail, speaking out is sometimes agonising for all participants. But talking and listening are the only chance to get hold of the phantoms and demons of the past and thus heal the wounds. Alexe Poukine’s differentiated and multi-faceted approach to an issue usually discussed in sensationalist terms offers us, the audience, a chance to dispassionately re-adjust our perspective on the act of rape.

Silvia Hallensleben

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Credits
Original Title: Sans frapper Country: Belgium, France Year: 2019 Language: French Subtitle: English Runtime: 85 min. Format: DCP Color: Colour Director: Alexe Poukine Producer: Cyril Bibas (CVB), Cécile Lestrade, Elise Hug (Alter Ego) Cinematographer: Elin Kirschfink Editor: Agnès Bruckert Sound: Bruno Schweisguth Script: Ada Leiris Cast: Conchita Paz, Epona Guillaume, Aurore Fattier, Marijke Pinoy, Marie Préchac, Sophie Sénécaut, Anne Jacob, Tristan Lamour, Noémie Boes, Maxime Maes, Yves-Marina Gnahoua, Tiphaine Gentilleau, Séverine Degilhage, Laurence Rosier
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The annotations to the films in the Official Selection were written by the members of the selection committee and guest authors. All quotes from DOK Leipzig 2019 catalogue articles must be identified as such and cite the author’s name. Some original titles and names have been transcribed resp. transliterated. We apologise that we cannot cite individual image sources and rights in our festival publications or festival coverage. Please note that the visual material is published exclusively for the purposes of promoting specific films or festival programmes. No transmission to third parties is provided and would only take place with the explicit agreement of the owners of the rights. The rights to the images lie with the respective copyright owners.